limited triple vinyl, contains here we go! ep (aa-16) and i m a hotshot robot (pkglp24).

supported and played by: dvs1, brendon moeller, jeroen search, session restore, samuli kemppi, invite, anaxander, myles sergé, mary velo, arnaud le texier, patrick gil, opuswerk, kereni, gonzalo md.... the unison e.p. start with a pure techno banger, facial features: the heavy kick drum and synth pattern hit you where it hurts. myk then goes in more minimal territory with omage and see, both tracks making use of nice background repetitive voices, heavy basslines and dubby synths that remind you of late nights in berlin. the e.p. ends up with with synda, a peak time atmospheric dub experience that will not leave you indifferent.

the mysterious and anonymous secret squirrel no 1 has landed and will drive the djs nuts! a limited edition & vinyl only delight, this series is cut loud & built for maximum club use.

mike storm comes from the underground scene of the 072 area in the netherlands. in the late 90s he started as a dj, soon he moved from turntables to his first equipment and started performing live-sets on various local partys. while the underground scene was highly involved electro and techno music, mike learned from it’s established djs & producers and how to work with analog equipment. as of this day, he still produces his tracks still without any computer sequencer. mike storm is most of all inspired by the sound from detroit and minimal dark techno and his biggest passion is performing live on stage. in 2012 mikes coming out of the underground scene and sees his music is being appreciated by the likes of jeff mills and dimi angelis. both djs frequently use his tracks in their sets.

vertigo is the a side on this four track ep by roberto capuano that uses reverberated kick drums and piano chords to create a groove that was designed for peak-time play. the second track, inversion uses rising and filtering synths with the use of space and influxes of pitched hi hats and percussion loops to create a 5am track that will keep people rooted to their spot. new chapter uses a repetitive percussion-like stab to keep the deep atmospheric sounds together over the industrial techno drums. the final track earth uses phased sporadic stabs to create an interesting groove that compliments the driving drums that are ever present

rsd exclusive, pink coloured & marbled vinyl, limited to 167 numbered copies. instant free download included.
sjoko, an alter ego of joost carpentier, is all about movement. to move is to displace a body from one place to another location. sjoko will induce movement by the use of musical rhythms, beats, melodies and harmonies. from intelligent dance to dark jungle on two sides !

pressing on red vinyl.
leskin, massimo di lena, joseph russel and rio padice (aka the early sound collective) deliver four outstanding deep & raw house/techno cuts. of course, shitloads of records come out these days that fit the deep & raw house description, but this stuff just goes beyond. without falling back into cliche, their characteristic use of analog equipment takes you right back into the early days of hypnotic, raw & soulful machine music competing with the detroit/chicago cats from back in the day.

culprit makes a fourth stop on its european talent-scouting trip, inviting the london- based swedish producer adeline to join the labels global motley crew. adelines confident use of her own voice as a major part of her music is a bold but justified choice. combining it with truly impressive sound design and strong musical ideas, with a touch of the unexpected, adds up to instantly memorably dance music. the three originals on her culprit debut speak to all these strengths.

nick anthony simoncino and mathematics deliver this stunning vinyl version of the full length featuring top quality house music not found on the cd release. includes the first part of ron trents jungle dream remix, a dream 2 science mix, and tracks trip to japan, saber, use me lose me.

when making a track, whatever his genre although in this case it would be electronic music, you can use reverbs, plugings, effects, loops, low bass or many simple and opportunist crookery or you can try a double somersault of talent, riskm and clubbing experimentation.

samoyed kicks off vases 2013 with two undeniably brave tracks and a change in direction for the hyped producer. breaking into new territory for the u.k artist he kicks off with sloe eyes, an percussive builder of a track with rave stabs and a brilliant catchy vocal hook. utilizing his brilliant use of the ethereal he keeps the club edge on this track emotional and heartfelt. the b-side guts starts with a hypnotizing vocal loop that slowly transcends into almost autechre territory but with an ear for african house on the drums. dj support comes from hudson mohawke, pearson sound, krystal klear and benji b. samoyed starts 2013 with a bang

nsyde 005 served by our highly talented skymark from barcelona (es) – a multi faceted devotee of all soulful music with a unique feeling and approach to dance music

new label project by waxjam named musical metaphor, run by the young italian producer luca ballerini. deep seductive techno tracks without being too polished and getting moody. tracks that keep their raw edge and have a little hypnotic feel and charming extra touch by the use of warm analog sounds. the b-side comes with a stunning alex picone remix! italian seems a great breeding ground for new techno producers! check

nokoman dropped out of the sky into the dunes off lookhill. all he said was:i want to use your sp1200 and your cell phone

we never forget our roots here at idle hands. for people of a certain age the wild experiments of jungle and dnb remain close to our hearts. whilst scenes, sounds and trends may wax and wane that visceral feeling of chest rattling bass is something we hold on to. rhythmic theory is one producer who like us, never forgot. here we present two tunes deeply indebted to those times. it must be stated though, you will not find any amen breaks or ragga samples here, instead, this up and coming bristol producer transposes the atmospheres and deadly subs to a techno template. *legacy of the lost* and *riveted* follow on from two well received vinyl only release on brstl and his own self titled label. both tracks are immaculately crafted hardware jams that are designed solely with sound system use in mind.

off the back of his second club-shaking ep for cvss dirtybird imprint, paris ghetto mastermind producer is back for his 3rd outing on his own label clekclekboom. after dropping their inaugural release, the stellar *champagne / hugz (ft. bambounou)*, at the end of 2011 it seems fitting that french fries return to kick-off 2013 with the labels 9th release. the use of bold, futuristic effects and percussive subtleties combined with an astute aptitude for clarity and fullness of sound makes for yet another destructive french fries and clekclekboom ep. this shrewd blend of experimentalism and dancefloor bass-weight means ccb009 is likely to turn up in a wide range of record bags.

after the delectable and somewhat surprising first dishes served up on the schmorgasbord by appleblim & october and s-max & spatial in 2011, the label has been slow-cooking its next wares for maximum intensity of flavour, drafting in two chefs of wild international repute shunned from the michelin star regime and forced into renegade culinary exploits that use food (or music) as merely a vessel for their twisted science. al tourettes has zapped many a taste bud in his time, bastardising the fundamental ingredients of electro, funk and techno and marinating in a glutinous psychedelia as organic as it is mechanised.

with the start of 2013 upon us, the consistently close relationship between aus and midland

preternity is a vinyl that collects together four of the most dynamic artists in electronic music delving into tracks from dadubs forthcoming album ‘you are eternity. dadubs album positions itself as part of an eternity which is forever recurring and in this context lucy, lakker, rrose and kangding rays remixes emerge as parallel versions of the original tracks. revolving around the axis of ‘you are eternity the artists use analogue machines and digital devices to either encode or decode dadubs vision.

jazzanova takes it to the next stage: the funkhaus studio sessions. jazzanova producers, stefan leisering & axel reinemer, went into the studio with their 7piece live band with paul randolph on vocals to record a 14 track set.

vinyl only! with targeted use the hanover dj oliver maass starts with a 3 tracker on the new label do.it. the limited and only appearing on vinyl ep does it matter with the eponymous title track sounds very relaxed and contemporary, groovy and with full bodied bassline it ma...

a series of raw house tracks engineered for heavy dj use. two tight tools from one of todays toughest house cats. inspired from 90s house music played in clubs such as greeces legendary venue spacemobile. volume three comes only in 150g of 12? vinyl including unpadded paper inner sleeve and hard cover. all right now? all right!

throughout this release, hodge crafts a unique sound that resonates somewhere between the sparse, delay soaked realms of primitive dubstep, and the driving vigour of modern techno. inspired by the use of field recordings and vintage analogue gear, the dusted ep has a raw and insightful charm that will lure a wide scope of electronica enthusiasts. sealed with a characteristically hypnotic remix of turmoil by close friend kowton, the dusted ep marks the full arrival of one of the most forward-thinking young producers, harvesting the rich breeding ground and heritage of bristol

limitierte neuauflage des klassikers von 1983! police in helicopter wurde mit den roots radics im channel one studio aufgenommen, am mischpult saßen der engineer soldgie und der produzent henry junjo lawes. für die hervorrragenden backing vocals waren al campbell, the tamlins und tony tuff verantwortlich.

on his third album, adnan dunic aka filterwolf takes us on a mesmerizing journey through the amazing scenery of his musical universe.
comes as double 12 inch vinyl in full artwork gatefold sleeve.

supported by moodymann, theo parrish, rick wilhite, tom trago

breakbeat paradise recordings is proud to introduce yet another talented artist to the bbp crew. dj rudd is an established dj and producer from latvia, where he is leading the funky breaks/mashup scene, doing shows with names like a-skillz, featurecast, nightmare on wax to name a few. rudds oldskool type of funky breaks was a perfect match for bpp, who was quick to get rudd on board, when they first heard rudds successful funky breakout ep on bigm records. this became the beginning of a prosperous teamwork set out to design this amazing ep of 4 state-of-the-art funky bangers. track by track and sample by sample they worked their way through, in order for this ep to be as great as possible. the result is nothing less than a masterpiece of classic funky breaks - with all the right elements including well-balanced use of modern day wobble basslines.

after tom tragos use me again took dance floors across the world by a storm this summer, rise up / sky high is his follow up single which should fire up the crowd during the winter.

after their sure-fire succession of great releases dam swindle end up on the excellent freerange imprint. and if you like the words deep along with atmospheric then this will most definitely appeal to you. from the opening title track with its lush, moody nu-groove styled pads and thunderous hand-claps these three productions simply ooze class and intensity in abundance. next is >gotta know< which rewinds back to classic house sounds and injects a sense of melody into the already swinging rhythms and punchy, detroit bass. which is then followed by >brotherman< and yet more in-depth moods, this time accompanied by jazzy, scat styled vocals for added diversity. finally we have wolf music main man krl stepping up to remix brotherman and a rather sterling job he does to. making great use of the vocal krl brings us a slowed down version with his trademark shuffling drums and a dynamic arrangement. piano stabs and a cheeky boogie synth sample all help bring his own sound to the track and round off the package perfectly.

mussurunga - that is the name which is used by the complete body inked cousins sigi aigner and didi bruckmayr for their outstanding performances on club dance-parties, festivals, free-parties and weddings in the home- and foreign-countries since more than two years. at their shows they use deep bass-lines, demanding beats, gentle hooklines and raging 3-d objects. the large sized mr. state-opera-chorister aigner and the dwarfish universal-bush-leaguer dr. bruckmayr also are known for their benedictional work with the performance-group fuckhead, for them they count as finded minds. mussurunga is a frowing suburb of the brazilian provincial capital salvador da bahia, which aigner and bruckmay vistied job related. while one of them waited without success for a date in mussurunga and spent all the spondulix which was meant for the taxi, the other one worked very hard in the regional beach-bars on artistic concepts. the result of this jobshare is, among other things, the present ep.

up next on scubas hotflush recordings is the stunning debut ep >forever for now< from 20 year-old duo shelter point. through the use of field recordings, upright pianos, their own chopped and screwed vocals and a varied palette of synths, the pair have created a lush and elegant four track love letter that is bound to make their contemporaries stand up and take note. >braille< sets the scene, its wistful, haunting vocals delicately slinking along to emotive and complex analogue synths, only slightly changing course on the vibrating and discordant 80s inspired >hold on me<. on the flip is the title track, a compelling and experimental piano ballad, rich with vinyl crackle and a bittersweet lyrical flow (forever burned your picture in my mind) followed by the pop-inspired >sleep easy<, a sweetly composed bedroom soul production kitted out with filtered synths and dubbed out atmospherics. a unique and memorable debut from a very bright new talent, shelter point is here to stay.

3rd saste box set! gathering sounds from the experimental frontiers and outer edges of electronic music, stellate 3 collects together, kangding ray, nsi, xhin and reformed factions visions. the polished tracks are layered to the -nth degree, filled with minute details and whispered asides. these productions use an array of analogue machines and the most cunning digital means to vividly render disquieting questions.

wonder & amazement is a record ive had in various forms and incarnations from ex chicken lips members steve kotey & andy meecham for about a year now – a song that immediately grabbed me from the very first moment i heard it. reminiscent of days gone by mixed with a touch of the new - a song that contains a mixture of both the old classic and the new classic. ive been championing it for a while now either in sets or charts, even including it on a recent compilation i did. a record that we are proud to be able to use as a soundtrack to this new era of classic.

this latest release from hizatron and bashley galvanises the usual wigflexian- gloop with a more industrial edge and a superb implementation of found sounds. a darker pallet underpins the record but this is inverted then lifted with inserts of scattered euphoria. whilst all that is synonymous with the current face of techno lurks consistently in the background throughout, in an almost redemptive fashion, we are hoisted upward from a chromatic descent and set forth onto a crisp, bouncy path peppered with light. the depth of stereo field is utilised perfectly here and the use of dimension is something of a staple for all of those who call wigflex home. hizatron is known for his seamless arrangements, catchy melodies and punchy percussion and this record has that unquestionable tron swagger but the familiar sound is accelerated by new influences from bashley who although a relatively unknown member of the family brings a fresh range of timbres that compliment hizas signature grooves.

lakosa & io are third to grace the madtech roster with their dancefloor banger home early, which features remixes by west norwood cassette library and the 17 year old exceptionally talented experimental grime producer pedro 123. home early is a punchy house track weighted by bass and marching with the suave speed of 4/4 house. its sultry vocals and samples tease the determined beat that drops in and out developing a bold breakdown. the track sits nicely between house and uk bass, giving it the flexibility to sit within an array of styles in future sets and mixes. west norwood cassette librarys remix gives the original a disco tinge with the use of strings and vintage sounding samples. the vocal is scrunched and ricochets neatly off the carefully placed beats and samples. the pedro 123 remix gives the original a smack of grime and a refreshing sound. pedro stretches the vocal into a smooth echo that drifts over the top of his clipped punching bass line. a grime-tinged wobble and a bassy beat resonates beneath pedros impeccable percussive production.

a best off all new things on the everpopular phobiq imprint by sasha carassi. the mechanized warfare of void opens up the release, with industrial snares taking front and center. meanwhile, the steamrolling groove never lets up and bleeding stabs lead the way to a subliminal riff that grows and mutates.the original mix of z-nasti makes strong use of ghostly chords while sonars fire away over tightly programmed drums.

frank music proudly presents: the future sound of limburg! our homies monosoul & johannes not only like peter hoff produced house sound back from 2001 but also good food, turkish beer and a good laugh. on mondays they use to sit together and cook or make music result is tasty house music as we like it.whatever is pushing prime time house.chords,higher strings and those beats. we shouldnt forget about the nice acid line in the end. mornin moanin is more on a mellow tip, pads and a nice bass out of the beloved juno machine. for warmup or late nite use they offer jomo mf which consists of some riot-as-well-as-rainy beatdown sweatness house.

micatone come off with a true masterpiece of sophisticated pop with their new and fifth album >wish i was here< (released in march 2012). not only the music press and feuilletons but also old devoted and newly found fans agree: micatone never sounded better before. the second offspring off the album is a 2-tracker with two very special remixes. label mate stee downes takes on >sweet pain< as if it was his own track and kicks out a vivacious deep house stormer. there is no doubt that this remix will be in every bag of those djs that put some more emotions on the floor. the second remix was orderd in italy - in bologna to be exact. keemani and alex ferratti just started their new project blue mondays and now – with their rework of >just a boy< – promisingly launch their career to become the next in-demand remixers. they dont just lay a vocal track over a pre-programed beat, but use all of their devotion, accuracy and finesse to turn an already astonishing pop song into an anthem for everlasting nights. it is like preparing the perfect sugo: simmer exquisite ingedients for days until your mouth is watering. perfetto!

the new ep by pusherman, donuts, is out now on 12 inch vinyl, featuring remixes from naive machine & diamond bass!
while >donuts< is identifiably born of grime, uk funky, techno and house, pusherman’s use of funky synthlines, deep low end and chopped up vocal samples set them a cut above their peers.

usually, the purpose of a piece like this is to tell other writers, music mag editors, distribution people and record shop clerks why they should like a certain release and buy, hype, review it. often these encomiums are not really honest and sometimes you even feel like attending an attempt to sell a flat tire. as for i:cubes new longplayer m megamix things are – of course! – very different. being its fifth solo album, an introduction of a man like nicolas chaix or even his biography (another popular brick of sales sheets) seems rather unsuitable. if you dont know what you should know, just use your internet search engine with any of these terms: chateau flight, versatile records, french touch, disco cubizm or parisian prodigy.

aux 88 makes there anxiously awaited follow up two there black tokyo project. the first track >magic< is a true melodic synth groove driving 4/4 track that takes you in to there dance driven world of black tokyo featuring the cool soothing vocals of ice truck. >magic< uses those detroit emotional string chords that works the crowd in a frenzy and then drop in those base driven beats that only aux 88 can program.
side two >astral projections< featuring ice truck and erika tele. >astral projections< takes you in to the more ethereal woven techno culture of japan and detroit. the bass line is unmistakable aux 88 while keeping the baseline as the main intro. this track takes you there. with ice trucks mind soothing vocals and tribal type drums pulsating this track is sure to be a favorite on the dance floor. interlude mix b2 featuring erika tele is a more harmonic sedative mix type interlude that great to use for any intro dj set.

raw instinct (volume 2) a series of raw house tracks engineered for heavy dj use. inspired from 90s house music played in clubs such as londons ministry of sound. volume two comes only in 150g of 12inch vinyl including unpadded paper inner sleeve and hard cover. can you see?

frucht - only deals with fresh fruits. the berlin label decided to start the 12inch series with 3 remix compilations to give an overview of the labelsound. somewhere between minimal, techno and tech house but always with a club aspiration fruchts >aprikose< is more than a dynamic and powerful dance floor killer: heavy drums, groovy basslines and twisted vocals are perfect for bright open airs as well as for dimmed clubs. labelhead coeter one and his mexican partner splatter are not releasing a specific genre - but smart productions really have to rock the body and soul by the use of outstanding sound-selections and brilliant arrangements. this is what we call >fruity<. are you ready for an exciting future with frucht label?

the byrds were one of the earliest groups who could combine the best of two worlds. they caught on to the energy of the british invasion and combined it with the lyricism & musical elements of the contemporary folk movement. along the way they pioneered psychedelic and country rock, always keeping things recognizable with their vocal harmonies accompanied by their jangly guitars. their 1965 debut mr. tambourine man hit the flower generation like a bombshell. >one of the greatest debuts in the history of rock<, it melds their lyrical prowess with their compelling guitar riffs, and was the blueprint for their future sound. a classic, now back on 180 grams audiophile vinyl!

limitiertes doppel-vinyl, weiß & blau marmoriert, inklusive cd-version des albums.
nachdem der albumtrack >henrietta< bereits seit ende mai im internet kursiert und im radio rotiert, erscheint nun das neue werk der brooklyner electro-pop-psychedeliker. und das neue album bleibt nicht hinter den erwartungen zurück! >fragrant world< betreibt genre-mashing mit einem breiten spektrum an quellen. psychedelic pop, indie dance, r n b, digi-funk, exotische synth-experimente, gespenstisch surrende, rückwärts laufende orgeln, ueberschwaengliche baesse. >i wanted to make a record that was legitimately, to use a bad word, funky<, erzählte chris keating zuletzt dem under the radar-magazin.und selbst in den dunkelsten momenten dieser musik behält er recht.mit >fragrant world< liefern uns yeasayer ein fantastisches follow-up zu >odd blood<!

having wowed us with last summers argentina ep for the label, tom returns to circus with his latest work, the four track white drum ep. whilst its heavy on the bass, this new ep also demonstrates the maturing of flynns production with his impressive use of vocals and melody throughout. having now played events in both liverpool and london, tom flynn has been welcomed further into the circus fold and his white drum ep confirms him as one of the family!

2012 sees detroit label, kms records, celebrating its 25th anniversary. founded in 1987, by kevin maurice saunderson, his first release was triangle of love produced by, kreem, (just one of his many guises), little did saunderson know, at that time, that two and a half decades later, he would still be releasing music on his kms label.

we are very exited to present two tracks that our danish resident artist mathias mesteno has send us. mathias has been part of the upon you family since day one. he occaisionally also released his classic and still very individual formed house tracks on freerange and tic tac toe records. if you count his collaboration with our uy boss marco resmann, then here comes his fifth release on upon you! the boulevard confessions ep comprehends two tracks. on a1 he is cooking in kekes kitchen an outrageous whorled open air slammer, which cant wait to be initiated on the beaches around the world. the b side- the concrete boheme seems more calm but finds its use and purpose as a deep-house track in the forests of modern styles. like always mathias suddenly rolls up the beat and is sure to surprise the consumer with unlikely rhythm variations. uy 062 in the house!